CALL IN THE RIOT SQUAD: DAVID BOWIE COVERS THE VELVET UNDERGROUND... IN 1967!
To be honest, I couldn't listen to half of it. It's pretty bad. GIven the accompanying still group shot, this would have been a more appropriate song for them.
Only broadcast in the UK, and apparently a parody of "Juke Box Jury" and co-written by Brian and a J. Walter Thompson guy.
So this guy would've fit right in.
One of them is drunk and the other one is a fan.
Here's a trailer for Prélude au sommeil (Prelude to Sleep), a new documentary about pioneering electronic musician Jean-Jacques Perrey. The film features appearances from Gershon Kingsley, Angelo Badalamenti, Michel Gondry, Air, and other contemporaries of Perrey and artists influenced by him. The film's director, Gilles Weinzaepflen, points us to a VOD site where you can view the full film in French or with English subtitles. Prélude au sommeil
Powerhouse is even better, although "embedding disabled by request."
Six-Word Reviews of 1,302 SXSW Mp3s. On local hometown faves Parachute, formerly Sparky's Flaw: "Wants so much to be infectious."
(Another great review: "ELO, I must be going. (Kazoo?)."
First I was thinking "imagine the mashups you could do with the audio from this." Then I realized that it should be left alone and just played as-is on a dance floor, with him playing and explaining the beats and nothing else, especially if you start at 0:25.
YouTube has several clips of him explaining things.
Via Mechanical Turk. Bicycle Built for 2000. The little video is worth watching.
These kids took their Sony cassette recorder with them to video arcades from 1982 to 1988: Classic Arcade Sounds
You may have already told me about this, but I just wanted to make sure you'd seen it:
Guess who published the score of his latest symphony on the web on one of those lulu-like self-publishing sites.
Use four 18" tamborines and bang them against each other. The white SG bass is also a nice plus. 1:14 has a very moment.
Besides Chuck Berry?
From Alex Ross: The St. Louis Symphony is seeking one hundred guitarists for its presentation of Glenn Branca's Hallucination City on Nov. 13.
From Alex Ross's blog: a 1977 very funny "ad" for the greatest hits of "Arnie" and Webern and Berg. You vill enjoy! (It's from Cleveland in 1977, so just think of the other dissonant music with a sense of humor was in the air at the time.)
From allmusic:
Suddenly, with a number one single to its credit, however, there were demands for Steam to perform, make appearances on television, and do all the other things that were usually done by groups to support a hit record -- except that there was no group. Leka put together a band...all came from Leka's hometown of Bridgeport, CT, and toured behind the single during 1970.
And what a handsome bunch:
It looks like badlipsynching.com isn't taken. Must resist urge to park it...
To hold that opinion, it helps if you were 10 years old when this was on TV.
bbc.co.uk: "Test your skills on our Desi Mixer"
High school Pierre Schaeffers via FMU blog. Lives up to its name.
A guy with a Telly, but... give it at least three minutes, for when he gets to the Duane Eddy part. The Link Wray/Martha Raye/Stevie Ray part alone is pretty impressive.
Is punk dead? Is punk dead? etc. etc.
Also: PiL doing Bodies, cranky old British showman full of opinions in 2007 ("I think Green Day fuckin' stink," "I love Colbert, he's bang on the money, nice piss taker") and on Kimmel in 2006, including comments on American Idol and its cranky judgemental Brit. "I just did a thing for Discovery channel...," and a very funny ending.
John Cale on "I've Got a Secret" in 1963.
about why you should hire them. From FMU's blog.
See FMU blog post. 1967, with "the composer himself on filters and potentiometers." Oh baby! Still probably the leader in the "Mom's worst nightmare" music lineup.
A comment to the posting points to this excellent YouTube video of an excerpt from the Helicopter String Quartet:
Ak Lou. Because of something I'll be posting here shortly, I had to go to the domain name to see what was there, and I wasn't disappointed.
He mentions the Harvey Theater. That's where I saw him in the men's room line when we were seeing Ralphes Fiennes in Shakespeare's "Corilianus."
See this and then fill in the blank.
Australian Beatles tribute band the Beatnix does an amazing moptop version of "Stairway to Heaven." The "And as we wind on down the road part" is particularly great. I was wondering "How will they end it?" And when they got to the ending, I realized "duh."
From Kodak. A full orchestra, and very professional sounding. You might be able to use some. Background Music For Your Personal Movies
The only thing I can compare this to is the Lawrence Welk/Sister Ray thing, but instead of being some clever joke, this obviously is the actual group:
And it really came together when Mom sang along:
And then Zappa destroys a car while Nesmith conducts:
Can't believe I never searched YouTube for these guys, part 35: MC5.
Sometimes we forget: Todd Rundgren used to be cool! And you don't get more flower power than playing drums with flowers instead of sticks.
Five thirty-second spots. It sounds like they did the jingle for the last one, and it's worth waiting for.
What would David Byrne say?
Someone did a "remix" (or is "mashup" the au courant term these days?) of this and the Dell ad.
Ghost Rider from FMU blog:
And that turns up an excellent Dream Baby Dream:
And lots more show up. Must get back to work...
Stevie at his most Eddie Murphiest.
And, I changed the Atom feed, hopefully so that embedded videos now show up, so this is a test. Let me know if there are any problems.
Dick Dale in 1963.
I just started checking out webjay.com and one of the first things I found was a collection of over a dozen versions of a certain Gershon Kingsley song. I never noticed the prominent role of the snare in the original. The Fairfax High School Marimba Band is the best one; it sounds like a gamelan.
Along Comes Mary on the Smothers Bros. on YouTube. It does sound genuinely live to me. And they start off with a "funny bit."
Malik Adouane on YouTube The first 1:24 is painfully awful, but then it gets good. (Saw this on FMU's blog, never heard of the guy before.)
Here is the first posting at Musi c from the Third Floor:
I have a big box full of Bollywood soundtracks on LP, about 150 I think. Some are classic, some have one or two good songs on them, and some are duds. For a variety of reasons I've lost track of which are worthwhile and which can be chucked out (ie. sold). So, as much for my own sake as anyone else's, I'm going to digitalize and upload them here, on a semi-regular basis. And keep going until I've done the whole box, or otherwise been asked or told to stop by convincing parties. Such an eventuality notwithstanding, enjoy, start dancing, go mad, whatever. Comments are nice if you'd like to leave one.
He includes pictures from the movies, brief descriptions of the key information (who scored it, who's on it, which songs are any good, etc.) It's really great.
See http://www.angelfire.com/pop2/honeybus/gallery.htm. See the ad of Honeybus playing with the Idle Race? During the pre-Jeff Lynne days of the Move, that's what Jeff Lynne was doing.
"The instrument was developed by a team of digital luthiers..."
reactable media
Singing in the Rain. This Visual Guidance Ltd site looks like it could suck up a lot of time. Right now, it has videos of The Astronauts doing Firewater in what looks like someone's living room, Bert Kaempfert, Ella Fitzgerald with Joe Pass, the Mary Jane Girls... and that's just today's entries.
More FMU blog stuff: Anthony Newly singing Within You Without You from a 1977 TV special. "I think the greatest reason for the classic quality of the Beatles' music is that they were constantly experimenting, striving for change. Each song brought new growth, new meaning." It's particularly funny if you keep in mind that Bowie has cited him as an influence. The ending of the TV show is also pretty surreal. I'm sure Percy Thrillington enjoyed it.
Also, check out Cook and Moore's excellent Beatles parody. They said it was supposed to be a Beach Boys parody, and it sounds more like Smile (in February of 67!) than anything, but their accents make it sound it more like the Beatles.
How records are made, 1937 would be fascinating even if it didn't start off with a Duke Ellington recording session. It goes from the recording all the way to the application of the labels to the shellac disks.
For some reason, YouTube then suggested that I would want to see a 1968 live version of Cream doing "Crossroads", and they were right. Many of the same licks as the well-known version, but Clapton's solos really are different, and Bruce and Baker really, really kick ass.
weblog, with about one MP3 per entry, going back to Nightmares days, including the great Ed Shanahan song "Paralyzed."
Not a spam subject header, but Johnny Greenwood's shot at competing with more "serious" Brit composers for the 2006 British Composer Awards. It's pretty cool--almost Messiaen-ic! I'm guessing that the title is a pun on Terry Riley's Poppy Nogood and probably on several other things that I'm missing. (Real Audio of all entries available on the web page.)
FMU has posted Takeshi Terauchi 's Let's Go Classics, complete. The "Fur Elise" is amazing. If you listen to it first, as I did, the rest are all disappointing, sounding more like mediocre Ventures than anything else.
From my Australian friend Rick again: analog synth porn
What clue is it that this is British?
with MP3 links two examples:
"Gated Snare: First heard on Peter Gabriel's third album, then virtually trademarked by Phil Collins, this is what happens when you run a drum through excessive reverb and then chop off the decay. So don't do it. "
"The "Pump Up The Volume" loop: Characteristic early house loop - from MARRS' hit - TR-909 galore, with analog 808 bongos."
Good NY Times article on vaudeville-era recorded music becoming available on the Internet.
Really: Crazy Horses
Again with the youtube: 1985 Grammy performance. Dolby looks goofy but throws in some nice stuff, Howard Jones is about as lame as you'd expect, and Stevie Wonder and Herbie Hancock make it interesting.
Stairway to Heaven as a series of backwards quarter-notes. From WFMU's Beware of the Blog "Composer Thomas Dimuzio has taken this classic rock tune, reversed it, cut it up into quarter-notes and then reassembled it in forward order to retain the melody." If it starts to get boring, skip ahead to just before 4:17, where the drums come in. (MP3)
Maybe I should start a new blog entry catalog "gimmicky zep remixes."
Times article asks the question and points to an article that it says has a link to the video, but it doesn't. I dug it up, and it's actually very good. Alan Thicke's son and some New Orleans' rapper "Lil' Wayne" on Leno. The band kicks ass. Read the Times article for the setup. ("Shooter" on Leno)
They build a new city. Skip right to the video in the second paragraph.
I think they really are playing, because if they were faking it the melodies would be more in tune.
http://www.nytimes.com/2005/12/18/magazine/18christmas.html
"When I was in college, I was so straight classical," Davis told me. "Norman [Luboff] got my mind open."
And wait until you see the job titles of the two guys (Davis being one of them) who invented C.W. McCall, of "Convoy" fame.
See http://www.suntimes.com/output/entertainment/cst-ftr-neville15.html
Jimbo told me the same thing about working two weeks a year. And check out the stories about the Meters plus these two brothers or those two brothers.
TABASCO is the trademark for Mcllhenny Company pepper sauce.
See
http://www.keyboardmuseum.org/play.html. I hadn't seen the Sequential Circuits logo in a while.
Don't miss the virtual Boss DR-55 Drum Machine.
http://blog.wfmu.org/freeform/2005/10/video_on_histor.html
Seriously, an old-fashioned film strip, complete with the little "ding" to announce that it's time for the next picture. Very dated, and very great. I've only done part 1 so far, but now I know how to pronounce "ondes martenot."
http://www.clarku.edu/xtp/xtp.html
With a brief try, I couldn't get the audio samples to work, but it looks like they were done with care: "2-Neumann TLM 103s (positioned front-L & back-R); Nuendo recorder."
http://blogfiles.wfmu.org/BL/0511/Ween_-_Pizza_Hut_Ad.mp3
To promote the cheese being inside the crust.
http://bedazzled.blogs.com/bedazzled/2005/10/the_box_tops_on.html
The Letter: Chilton's lips don't match up well, and he doesn't care, because he's just too damn cool.
http://blog.wfmu.org/freeform/2005/10/pil_on_american.html
I had to work at the Gap on that May afternoon in 1980 and this was my first chance ever to see it. When Dick Clark introduces it as "something interesting and special," I don't think he realizes just how right he was.
Although one sentence does begin with the phrase "When Björk asked him..."
http://enjoyment.independent.co.uk/music/interviews/article321006.ece
Smells Like Monster Mash (link no longer works)
Greatest supergroup ever! http://blogfiles.wfmu.org/KF/0510/dirty_mac_-_yer_blues.mpg
Post-Cream, apparently, but Clapton's use of his ES 335 takes his sound back to his Bluesbreakers days.
http://blog.livedoor.jp/appaulle/archives/50124665.html
Why a Japanese weblog? I don't know. During Miss You, a small section of the stage moved through the crowd as they played, to directly across from where we were sitting about 10 rows from the field, roughly at the 20 yard at the other end from the main stage. It moved back during Honky Tonk Woman. It was nice to see them that close, and the side view gave a good view of Charlie despite his setlist-covered plexiglass walls.